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The parisian life, juan luna, jose rizal and antonio luna

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  • The Parisian Life, also known as Interior d'un Cafi (also spelled Interior d’Un Café,[1] literally meaning "Inside a Café"), is an 1892 oil on canvas impressionist[2] painting by Filipino painter and revolutionary activist Juan Luna.[3] The painting presently owned by the Government Service Insurance System is currently exhibited at the National Museum of Fine Arts after the state pension fund transferred management of its collection to the National Museum in March 2012.  
  • During this time, Luna also had to deal with the death of an infant daughter and the alleged extra-marital affair of his wife Paz Pardo de Tavera with a French physician. Because of jealousy, Luna killed his wife and his mother-in-law. Luna also attempted to kill his brother-in-law. A French court charged Luna for committing a "crime of passion" but was acquitted of parricide and murder on February 7, 1893.  
  • The Parisian Life is regarded as the last major work Luna did during his post-academic and life in Paris because from 1894 Luna travelled frequently that he was only able to paint a few number of landscapes in the Philippines. When Luna returned to France in 1898, he was an appointed member of the delegation in Paris representing the Philippine revolutionary government tasked to work for the diplomatic recognition of the Philippines as an independent Republic. In 1899, Luna died in Hong Kong while on the way back to the Philippines.

  • Jose Rizal was a Filipino nationalist and polymath during the tail end of the Spanish colonial period of the Philippines. He is tagged as the national hero (pambansang bayani) of the Philippines.[8] An ophthalmologist by profession, Rizal became a writer and a key member of the Filipino Propaganda Movement, which advocated political reforms for the colony under Spain.  
  • He was executed by the Spanish colonial government for the crime of rebellion after the Philippine Revolution, inspired in part by his writings, broke out. Though he was not actively involved in its planning or conduct, he ultimately approved of its goals which eventually led to Philippine independence.
  • He is widely considered one of the greatest heroes of the Philippines and has been recommended to be so honored by an officially empaneled National Heroes Committee. However, no law, executive order or proclamation has been enacted or issued officially proclaiming any Filipino historical figure as a national hero.[9] He was the author of the novels Noli Me Tángere and El filibusterismo, and a number of poems and essays.

  • Juan Luna de San Pedro y Novicio Ancheta was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.   His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Félix Resurrección Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and to the brotherhood between Spain and the Philippines.  Regarded for work done in the manner of European academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary. His allegorical works were inspired with classical balance, and often showed figures in theatrical poses.

  • Antonio Narciso Luna de San Pedro y Novicio Ancheta was a Filipino army general who fought in the Spanish–American War, Philippine Revolution, and Philippine–American War before his assassination in 1899,  Regarded as one of the fiercest generals of his time, he succeeded Artemio Ricarte as the Chief of Staff of the Armed Forces of the Philippines. He sought to apply his background in military science to the fledgling army. A sharpshooter himself, he organized professional guerrilla soldiers later named the "Luna Sharpshooters" and the "Black Guard". His three-tier defense, now known as the Luna Defense Line, gave the American troops a difficult endeavor during their campaign in the provinces north of Manila. This defense line culminated in the creation of a military stronghold in the Cordillera.

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