Explanation:
Hector Berlioz Edit
Symphonie Fantastique, (1830)
Harold in Italy, based on Childe Harold's Pilgrimage by Lord Byron, (1834)
Romeo et Juliette, symphonie dramatique
Benjamin Britten Edit
Four Sea Interludes, (1945) — Britten extracted four of the six interludes from his opera Peter Grimes for performance as a stand-alone orchestral piece. "I. Dawn," "II. Sunday Morning" (describing a seaside community gathering to worship), "III. Moonlight," and "IV. Storm" were all meant to literally describe these scenes and images through Britten's music.[1][2]
Anton Bruckner Edit
Symphony No. 4 in E-flat major, "Romantic" — The program, involving medieval castles and dawn and royal hunts, appears to have been an afterthought like it was with the other Symphonies.
